rebirth is proud to present agorias beautiful track for one hour featuring scalde for a release in 2013!
originally released by infine in 2010 and a classic in the sets of ame and dixon, for one hour features the amazing vocals from scalde, complemented by a soaring violin, dessicated horns and agoria s typically rhythm pattern. epic and elegant.
the package include new mixes from oxia, paradis, jack dixon and kosme. the parisian duo paradis follow their release on tim sweeneys beats in space with a very special remix, a late-night melancholic and sophisticated reinterpretation with soaring vocals,an effective synth lead, and a deep bass to die for. man of the moment jack dixon strips back the vibe of the original in an entirely different direction, focusing on drums, bass and vocal snippets to create a peak-time dub version. oxia delivers a special reprise version, while kosme gives us a weird trippy mix with a solid drum pattern, reminding the old basic channel vibe.

beat pharmacy is one among several identities employed by brendon moeller. originally from south africa and based in new york, moeller is known primarily for his extensive explorations of dub techno a la basic channel. with eight full length albums and countless tracks released on labels including smilee communications, astralwerks, wave music, deep space, mule electronique, steadfast, connaiseur, apnea, third ear, echochord, eskimo, rekids and more, moeller is returning to throne of blood for his second ep length outing in as many years

support by channel x / andreas henneberg / jens bond / martin eyerer / sascha braemer / the glitz / lars wickinger / rené bourgeois

following on from februarys critically acclaimed heritage ep for hotflush, locked groove aka tim van de meutter returns with two jams to inaugurate his own eponymous imprint - a limited-run, vinyl-only vehicle to channel his relentless work ethic.
over the two sides of locked groove records #1, unabashed 90s piano-house nostalgia meets gritty 303 bass festooned with de meutters signature melodic style.

just brilliant, limited blue coloured vinyl with dub infected detroit techno, basic channel style.

in the here and now of house and techno, a flux is taking place. the newest generation of souls possessed by the beat has never had a better chance to look back at the unbridled creativity and vitality of the 80s and 90s, and channel it into their contemporary creations. the gospel of youtube and a wealth of mixes with convenient tracklists make it easy for the lazy artist to absorb what was great before and reflect it in their contemporary productions. this of course is of no concern for someone like franck roger

their new ep by shadow moses is maybe a style breaker leaning more towards a techno vibe with detroit roots,spanning the years between basic channel and modern love. but still in the usual quality, which means solid releases aiming on the special moments on the dancefloor and not on the charts! shadow mosess most recent 2-tracker boasts textures befitting early springtimes emotional relief: tonal warmth permeates cold, floating atmospherics, while chugging drum tracks warm up bodies...and speaker stacks. full of energy and joy with the long winter finally being over.

boomchik is back with a 2nd release. si murray, one half of deep space orchestra, strikes out on his own with his other worlds project. solid basses and rattling percussion fuel an e.p. that gurgles with bright detroitesque finesse and variety that shifts between large almost basic channel feelings, to glitteringly precise house music. a five track release, full of floating pads and spacious reverbs take you directly to other worlds as lush strings and tight percussion patterns do exactly what they intend and trip you back to memories of warehouse days. murrays extremely tight production and musicality give this an edge that though reminiscent of the tones and feel of days gone by, has its feet firmly planted in the here and now.

mysterious producer s.a.m. delivers yet another top quality release! after the releases on fathers and sons productions he here shows a slightly different approach with 2 tracks of dubbed out techno heaven in the veins of maurizio, basic channel etc.. watch out for this one folks!

there you have it, the new deathchant recordings 065. deathchant has been standing strong the last couple of years and has been kicking out quality releases through the audio sickness channel. now its time for tugie to show you what hes worth. are you ready for 21st century deathchant hardcore?

shake is techno at its best! dub techno elements in a basic-channel-style meet kicking, masculine beats as you may know most likely from santos releases, all united in the meanwhile typical mckay style. mckay is the incarnate techno beat, and shake is no exception! ltd 300 copies, white labels

following *himmel / strasse*, *sonne und stahl* & *hakuro ep* on pong music, here is the new 10 inch, *hagakure / seppuku*. two techno & dub techno tracks between basic channel and deepchord. pressing on white and red marbled 10 inch vinyl.
already supported by dj deep, quantec, sean deason, mark broom, kriss kortz, dave miller, alex einz, los hermanos, jack de marseille, ...

special remarks: 12 with inside/out sleeve, artwork within the scope of our hot five compilation, that is now available on a double cd, we have decided to have a few of our uy-back stock-catalogue numbers remixed and to carve them into vinyl.

limited nice price action, be fast
> zuckerhut< ist ein track der im letzten jahr erschienenen debüt-maxi der permanent vacation labelmacher tom bioly und benjamin fröhlich. hier kommen remixe ihrer lieblingsproduzenten john talabot und tbd. hinter tbd verbergen sich lee douglas (the stallions/dfa) sowie justin vandervolgen (!!!/warp und golf channel). tim sweeney (beats in space) und prins thomas stehen bereits drauf ...

nice price deal !!! as roche, bay area balearic boy ben winans designs long nostalgic nights with no sign of morning. on >a night at the haç<, his keys converse the epic dialogue of classic house thematics: high notes begging romantic love, low notes daring physical freedom. acid alien gears turn >insider outsider< into pivotless progression, straight ahead until the record breaks. side b sees >cg vision< through a fish-eye lens, all underwater bubbles n submarine wubbles as the synthy sea swells. finally, it is hi-hats off to the fx channel in >psycho zombie dreams<, a tunnel trauma of modulated raunch—seductive, intoxicating and mind-munching. haç is boss, now do the work.

nice price deal !!! a fine experimental journey ... just listen carefully

the documentary-moviemaker jörg adolph and his cameraman luigi falorni are telling the story of the mystic 33 kilometres from dover (uk) to calais (france). the mount everest for long distance swimmers.
for the belonging soundtrack >solo-swim< the notwist worked with dissected guitars and electronic, but they also let nick drake and his acoustic guitar cross the channel. because the music of klimek played an important source of inspiration for that song, the notwist asked him for a remix. martin gretschmann aka console added one unreleased song.

only vinyl !! ljudverket is an audio imprint from finland. the platform was started as a channel to release sound inspired by and connected to the contemporary art scene. we are not following any specific path nor do we have any boundaries set, yet we aim to release our own vision of sound as contemporary art. driven by lifetimes dedicated to exploring sound, our releases can meet the public in clubs, galleries and living rooms.

nile delta is enigmatic dancefloor wizard joel dickson, the man responsible for last years channel/all this ep on cutters featuring cut copys ben browning. it was an essential building block of dj sets by the likes of holy ghost (dfa), aeroplane and the revenge. and now, as if inhabited by the spirits of the early house and techno pioneers, he has returned with a irresistibly potent dance anthem which excites as much as it surprises.

this will be a special eclipse release. one of the most valued and respectable dub techno artists atheus decides to stop producing dub techno tracks to explore the most introspective soundscapes of ambient and drone music, and this will be his final step into dub techno music. he needs no introduction, a bunch of stunning tracks speak for himself. his inspired music has been released on labels such as styrax and million of moments , probably one of the best dub techno producers alongside deepchord and fluxion in the basic channel legacy. the record consists in two original tracks and one remix. the title track das ende its a proto-dub painting where rhythm patterns are made by a mixture of pulsating bass frequencies, reverberated hi-hats, delayed stabs and weird effected voices. a well done mix of sounds brings the dub style forward to unconventional and more experimental paths. hypno chamber its a typical atheus dub track with all the elements in the right place. deep fat sub-bass and delayed chords textures worked together properly as always with taste and skills. a special release remixed by the special and talented young producer decoside. he worked the main theme das ende exploring the deepest side of his incredible skill in shaping sounds...

das soloalbum des black uhuru-gruendungsmitglieds von 1982 im originalcover als lp neu aufgelegt! der longplayer wurde mit den roots radics und dem bläsersatz von dean fraser & nambo robinson im channel one studio von soldgie und scientist aufgenommen und abgemischt, als produzent zeichnete henry junjo lawes verantwortlich.

limitierte neuauflage im originalcover von 1979! aufgenommen im channel one studio und abgemischt im king tubbys studio von prince jammy & scientist. weitere credits: backing band: roots radics, bass: errol flabba holt, drums: carlton santa davis, guitar: earl chinna smith, bo-pee bowen, keyboards: gladstone anderson, percussion: sky juice, producer: henry junjo lawes.

limitierte neuauflage des klassikers von 1983! police in helicopter wurde mit den roots radics im channel one studio aufgenommen, am mischpult saßen der engineer soldgie und der produzent henry junjo lawes. für die hervorrragenden backing vocals waren al campbell, the tamlins und tony tuff verantwortlich.

limitierte neuauflage im originalcover von 1980! aufgenommen im channel one studio mit den roots radics und von scientist bei king tubbys abgemischt. weitere credits sind produzent: henry junjo lawes, bass: errol flabba holt, drums: carlton santa davis, guitar: earl chinna smith, eric bingy bunny lamont, keyboards: ansel collins, gladstone gladdy anderson, percussion: christopher sky juice blake, saxophone: headley bennett, trombone: val bennett, trumpet: bobby ellis

neuauflage des albumklassikers von 1980, aufgenommen im channel one studio und abgemischt in king tubbys studio von scientist. der produzent henry junjo lawes engagierte folgende musiker: bass: errol flabba holt, drums: santa davis, sly dunbar, style scott, guitar: sowell, bingy bunny, melodica: jimmy becker, organ/piano: ansel collins, steely, gladstone anderson, percussion: bongo herman, sky juice, sticky thompson, saxophone: headley bennett, trombone: val bennett, trumpet: bobby ellis

debut release on machine limited from this la-based production duo (alex mouracade and tk disko of jolly jams). a wonderfully revamped cover of dj camachos underground nu groove hit single slave. originally under the moniker camachos project with vocals provided by regina wilson, split secs updated versions are quite faithful to the original song but with an added production warmth and sonic pressure to each of their mixes. split secs called upon their talented friend alona to perform the vocals, a smoky and sensual mixture to the music–complimenting the catchy keyboard melody that made the original version so recognizable and danceable in the first place. comes with vox, instrumental and raw dub mixes. fans of dfa, golf channel, et al will love it. limited pressing.

>square< is the follow up to redshapes album debut >the dance paradox< (delsin, 2009) - that is if you dont want to count the double impact 12-inch >red pack< as a long player. and indeed, it is a long player in the truest sense of the term.

steering away from the album format, rory will be releasing the music as mixed fortunes, a singles club of 6 2 track 12 inch records, released throughout 2012. named to reflect the stylistic range of the series, mixed fortunes, will channel the same spirit of musical adventure heard in both phillipss remix work and in his genre-hopping dj sets, with tracks both by phillips on his own as well as some undertaken with a range of top secret collaborators. each 12 will contain 2 tracks and will be limited to 300 copies. there will be no remixes.

steering away from the album format, rory will be releasing the music as mixed fortunes, a singles club of 6 2 track 12 inch records, released throughout 2012. named to reflect the stylistic range of the series, mixed fortunes, will channel the same spirit of musical adventure heard in both phillipss remix work and in his genre-hopping dj sets, with tracks both by phillips on his own as well as some undertaken with a range of top secret collaborators. each 12 will contain 2 tracks and will be limited to 300 copies. there will be no remixes.

eats everythings forthcoming release for dirtybird continues to gather momentum. since first being showcased on diplo & friends radio 1 show by justin martin and claude von stroke, the track has been making the round and has since appeared on pete tongs show and annie macs mix for the channel 4 house party.

midnight love club the second strike! it is a pleasure to release the rhythm odyssey (dance music legend dean meredith) with more of his acidic analog rawness and fuzzy vintage synths. feel the warehouse vibe and check the deep techy remix of hotshot ethyl (secretsundaze, quintessentials). mlc loves you!
dean meredith is a veteran of dance music. he was not only one of the founders of chicken lips and thus a cosmic-disco godfather, but he was also one-half of bizarre inc., responsible for many rave anthems and more. as the rhyhtm odyssey in 2012, he is back on the hottest labels like rekids and golf channel. a real pro!

clft is taking another step into the techno scene, releasing the first record of its own label. a techno imprint as versatile as the french webzine, with a basic channel touch that will feed every mans complex musical attractions. italian producer kaelan impulses the labels debut with callout and void, two clean dubby tracks showing the producers ability in composing opaque and obsessive atmospheres. londoner fundamental interaction exploits a1s moody gesture while ben gibsons first ever remix takes on a progressive and groovier approach of a2. with the sympathies of: aubrey, albert van abbe, abdullah rashim, and, miles sergé, eric cloutier, lenny posso, unbalance, jeroen search, anthony shake shakir..

full album from the astonishingly talented juju & jordash. this time crossing their more psych side (golf channel recordings) with their proto everything electronics. how many more tricks do they have up their sleeves? killer! tip!

bokhari records is a vinyl only label. bokhari has been inspired by mo wax of old, and firecracker of present where care was/is also taken on packaging and design. each release will feature a different illustrator / artist for the design. a very strong and varied 12 for the second release from bokhari. 300 copies, vinyl only, and featuring wild 3d hand drawn artwork by nocturnal illustrator ben cook aka synthetics. siafus slunk dub starts proceedings with a slow, deep, languid house groove, propelled forward by a motoring bassline, murky acid grooves and insanely catchy keys. acid house survivor neville watsons remix is tinged with nostalgia. slow building mid-90’s piano riffs give way to a nagging acid groove and epic synths. retro futurism of the highest order. on the flip unknown croatian producer disrupted projects 1.2 is an infectious slab of ocean deep, grainy dub techno. drenched in warm bass and swimming in static - if basic channel had stepped it up a notch, this may have been the result. label owners siafu provide a dub mix utilizing a minitaur bass.

massive basic channel influenced dub techno album !!

excellent john tejada double vinyl , pressed on 180gr vinyl, incl cd album

pro-tez records continues to explore deep and dubby sound influenced by detroit and basic channel movement.

300 copies vinyl only – no repress, no digital release! smoky marbled white vinyl, hand stamped, hand numbered & shrink-wrapped!
deep dubby basic channel influenced tracks by the next known artist who remains unknown - the music speaks for itself. rare! btw, only one copy per customer

excellent tribalistic tech house, incl matt star remix in a very basic channel dub techno vein

new analog response 12 inch vinyl output has been composed by the italian artist hydergine, a young guy clearly inspired by basic channel / maurizio dub techno sounds, and a wide range of influences in the house/techno/bass fields. after practicing in music production for years, he first released a 12 on the german label separate skills which rapidly sold out, leaving a strong mark in the dub-tech scene.
recently, the austrian label phlox showed another fine hydergine release on translucent blue 12 inch vinyl, matching the taste of big names like francois kevorkian, laurent garnier, brendon moeller, kirk degiorgio, anton zap, terry francis, roman fluegel, ethyl, slam, franklin de costa, john osborn and more.

excellent deep hypnotic basic channel inspired tracks !! we like that

dennis ferrers objektivity imprint return with their first release of the summer and a debut single from hot new talent, adam berecki. the 22 year old from dortmund is set to make a huge impact in 2012 with his westpark trax ep. a double-header that sees him channel the spirit of early nyc and chicago house.

coinciding with the cinema premier of bar25 – tage ausserhalb der zeit (bar25 –days out of time), the bar25 label is releasing the official soundtrack. together with its closest musician friends, the label began work over a year ago on exclusive tracks that would be included in the final cut. the result is a remarkable compilation of works from a number of music genres – a unique collection of musical contributions by steadfast companions of the exceptional place that was bar25. this 12inch inch is a very special present to our vinyl friends.like the film, this compilation a tiny testament for eternity to the late, great bar25 something definitely worth having on the shelf for reliving the feelings experienced there when it existed from time to time.

they are back! roberto mozza and erotex presents their second plattenbau-music album. enjoy minimal-techno at its best. including new pacman song.

the liquideep duo is made up of singer/songwriter/producer ziyon and dj producer ryzor, and they hooked up in 2007 over a mutual love of hook laden, melodically rich, deep house music. just two years after their formation they caught the attention of the entire nation with the track >fairytale<, which got playlisted on every major station in sa, played on any dancefloor worth its salt and received a sama nomination for song of the year. more recently it won a channel o music video award for most gifted dance video .

following himmel strasse & sonne und stahl ep on pong music,here is the new pcm 10inch!two techno & dub techno tracks which are the missing link between basic channel and deep melodic techno.already supported by mark broom, gez varley (ex lfo), renaat vandepapeliere (r&s records/ apollo), seb bromberger, alex einz (phonika, tokyo), jack de marseille.

following the critically acclaimed part 1, untold draws deep from both sides of the channel and comes correct with part 2 of the trilogy.
caslon: east london meets east berlin for a grimey basement soundclash.
breathe: a slow burning roller that builds to a killer crescendo.

searle comes back to mowar for his second release. while his mind transfer ep was a darker workout, his new she moves ep show a deeper dubbed side of his productions. the title track perfectly combines the dub aesthetics and simple basic channel effectiveness with sweet infatuating stabs and scapes. this ones for the deeper and more sensual moments on the dancefloor. melancholy goes even deeper emotionally layering a steady slightly jacking rhythm with edgy melancholic atmospherics and melodies. on the flipside russ gabriel, who remixed on the very first mowar release back in 2008, reworks she moves in a stripped hypnotic mover, slightly more thumping for those sexy hips. last track tunneling is what searle would call a 5 am groover for the die-hards who want to be embraced by the sensuality of deep emotional techno.